You can redraw your consent to using these cookies at any time. This was handled for the museum by the art historian Wilhelm von Bode, who had joined in 1872, and was to be the Berlin Museums' greatest Director. The three-year, $62 million renovation of the Alte Nationalgalerie was part of a refurbishment of Museum Island and the energetic effort by government and private institutions to re-establish Berlin as Germany's political and cultural heart.[5]. 05.11.2020. The current building, shaped like a Roman temple with an appended apse, was designed by Friedrich August Stüler and after his death, realised in detail under Carl Busse. The initial objective of the gallery was to collect contemporary, primarily Prussian art, as Berlin did not then have any repository of modern art. A specialist in Rembrandt and Dutch painting, he made very significant additions in those areas, but did not neglect Italian painting. [3], The collection was first opened to the public in 1830, on completion of construction of the Royal Museum, now called the Altes Museum ("Old Museum"), designed by Karl Friedrich Schinkel and sited by the Lustgarten opposite the Royal Palace on the other side of Unter den Linden. 2300 La Chaux-de-Fonds (NE) Acrylique sur panneau de 1966 . 02.08.2018 - . Especially notable rooms include the octagonal Rembrandt room and a room containing five different Madonnas by Raphael. The first impetus to founding a national gallery came in 1815. The King bought some 3,000 works from Solly with his own money, allowing Waagen to take his pick. These plans never made it out of the planning stages, but finally in 1861 the National Gallery was founded, after banker Johann Heinrich Wagener donated 262 paintings by both German and foreign artists. It is situated in the middle of the island, between the rails of the Berlin Stadtbahn and Bode Street on the eastern banks. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. The Gemäldegalerie (German pronunciation: [ɡəˈmɛːldəɡaləˌʁiː], Painting Gallery) is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (Staatliche Museen zu Berlin) is displayed.It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. A visitor following along the southern side will go through mostly Italian and Southern European art. From the first the museum was intended to reflect the full range of European art, giving a different emphasis from that of older royal collections, including the royal collection of Saxony, now mostly in the Gemäldegalerie Alte Meister in Dresden, the finest German princely collection, which like other royal collections is strongest in Italian art. The main floor galleries contain some 850 works in 53 rooms, with around 400 more in several rooms off a corridor downstairs, which are also open to visitors. Many important altarpieces and other large works were lost, and the collection remains short of very large works compared to the other major European collections. The hall sometimes displays sculpture, but is mostly empty, allowing easy crossing between rooms, and somewhere for school parties to sit. Read more. His leadership marked the rise of the Gemäldegalerie to international prominence. The Alte Nationalgalerie, together with the Altes Museum, the Neues Museum, the Bode Museum, the Pergamon Museum, the Berlin Cathedral and the Lustgarten, make up the Museum Island complex in Berlin. He headed the sculpture collections from 1883, then the paintings from 1890, becoming general head of the Berlin Museums from 1890 to 1920. [6], In 1904 the Gemäldegalerie moved to the newly built Kaiser Friedrich Museum, now the Bode Museum, where the collection continued to expand. The holdings of Spanish, French and British art are much smaller. It is located in the Kulturforum museum district west of Potsdamer Platz. [2], Unlike most major national European collections (with the exception of the National Gallery, London), the Gemäldegalerie collection is not essentially formed around the former dynastic royal collection, but created by a process of acquisition by the Prussian government beginning in 1815. [4] Purchases continued throughout the 19th century, with 345 works acquired during the inaugural directorship of Gustav Friedrich Waagen from 1830–1868, though paintings competed with antiquities for rather reduced purchasing budgets. Libraries remain open. He remained until 1937, when he too was dismissed. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Giambattista Pittoni, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, and Antonio Viviani. In 1841 the first real plans were created. Those have two functions: On the one hand they are providing basic functionality for this website. Other notable experiences include Flemish moralistic paintings which stretch across the north side of the museum, showing an interplay between the religious motives of the artists' patrons and the often sensual inspirations of the artists. Between 1998 and 2001, the museum was renovated thoroughly by German architect HG Merz. Among the most important exhibits are Friedrich's Der Mönch am Meer (The Monk by the Sea), von Menzel's Eisenwalzwerk (The Iron Rolling Mill) and sculptor Johann Gottfried Schadow's Prinzessinnengruppe, a double statue of princesses Louise of Mecklenburg-Strelitz and Frederica of Prussia. The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. It is the original building of the National Gallery, whose holdings are now housed in several additional buildings. Each room can be taken in as a single statement about one to five artists in a certain period or following a certain style. Other works are displayed elsewhere, as the museum forms part of the Berlin State Museums and does not own a distinct collection as most museums do. Conservation, technical analysis and restoration of the paintings, Support of Gemäldegalerie and Skulpturensammlung. The Alte Nationalgalerie (English: Old National Gallery) is a listed building on the Museum Island in the historic centre of Berlin and part of the UNESCO World Heritage. Ground was broken in 1867 under the supervision of Heinrich Strack. Stüler died before planning was completed and Carl Busse handled the remaining details in 1865. Neue Pinakothek La galerie de la nouvelle pinacothèque devrait fermer ses portes jusqu’en 2025 pour des raisons de construction et de préparation de vastes mesures de rénovation pour le public. Fjord at Holmestrand, Johan Christian Dahl, 1843, Liszt at the Piano, Josef Danhauser, 1819, Moonrise at the Ocean, Caspar David Friedrich, 1822, The Warrior and his Child, Theodor Hildebrandt, 1832, Cromwell in Battle of Naseby, Charles Landseer, 1851, The Hussite Sermon, Karl Friedrich Lessing, 1836, Return of the Palikar, Eduard Magnus, 1836, The Flute Concert, Adolf von Menzel, 1852, Eisenwalzwerk (The Iron Rolling Mill (Modern Cyclopes)), Adolph von Menzel, 1875, Portrait of the Advocate Ernst Lau, Carl Steffeck, 1865, Telemachus' Return, Eberhard von Wächter, 1804, In the Troops' Quarters outside Paris, Anton von Werner, 1894. Following the German Revolution of 1918–19 that ended Imperial rule, he moved the modern art to the Kronprinzenpalais at the end of Unter den Linden, which became known as National Gallery II. The collection contains works of the Neoclassical and Romantic movements (by artists such as Caspar David Friedrich, Karl Friedrich Schinkel, and Karl Blechen), of the Biedermeier, French Impressionism (such as Édouard Manet and Claude Monet) and early Modernism (including Adolph von Menzel, Max Liebermann and Lovis Corinth). There are two paintings by Vermeer in the collection, The Wine Glass and Woman with a Pearl Necklace. The visitor chooses between southern, mainly Italian, art to the left, and German and Flemish art to the right. [1] Currently, the Alte Nationalgalerie is home to paintings and sculptures of the 19th century.[2]. The idea gained momentum during the 1830s, but without an actual building. Category:Paintings in the Gemäldegalerie, Berlin, "Berlin plan for Old Masters to give way to modern art angers historians", "Old Masters face eviction from Berlin gallery", "Wir lassen uns nicht auf Meisterwerke reduzieren", https://en.wikipedia.org/w/index.php?title=Gemäldegalerie,_Berlin&oldid=969255004, Wikipedia articles in need of updating from July 2020, All Wikipedia articles in need of updating, Articles containing potentially dated statements from 2012, All articles containing potentially dated statements, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 July 2020, at 09:22. In the Renaissance section, for example, Caravaggio's Amor Victorious is displayed alongside Giovanni Baglione's Sacred Love Versus Profane Love. All museums of the Staatliche Museen zu Berlin are temporarily closed. [7] In addition, it belongs to the Berlin National Gallery, which in turn is part of the Staatliche Museen zu Berlin. (German only), More about the collection of the Gemäldegalerie, Virtual Tour through the museum and highlights of the collection, Video series: "Lieblingsstücke" (Favourite Pieces) of the Gemäldegalerie’s museum professionals. For example, L'Enseigne de Gersaint, or "Gersaint's Shopsign", (1720), a famous painting by Jean-Antoine Watteau, is displayed with other works in the appropriate setting of Charlottenburg Palace. This donation formed the basis of the current collection. The building consists of 72 rooms providing a two-kilometer (1.25 mi) floor. No exhibitions or events will take place until 30 November 2020. Point of contact for research and scholarly inquiries, Special Opening Hours during Public Holidays, Staatliche Museen zu Berlin Temporarily Closed From 2 November 2020, What happens behind the scenes of the Gemäldegalerie? [1] There are also works downstairs, a gallery devoted to frames, and a digital gallery. Because of the building's modern construction using brick and iron, it was widely believed to be fireproof. Ecoutez ce royaliste clamer son amour de la monarchie disparue, par l'artifice d'un des personnages de L'Ensorcelée, il en fait un peu trop mais c'est néanm Find more information regarding cookies on our Data Protection Declaration and regarding us on the Imprint.